May 31, 2019 - Others simply consider it “good hustle'. This is not to say that artists can't have a successful music career without a loyal online following, but it's. Top music producers for hire in EDM, Pop, Rock and other genres. Professional song production. Listen to samples, see their major label credits, and read verified customer reviews. Get free proposals.
It might seem easier than ever to make a hit rap song these days. The importance of wordplay may have diminished in the minds of some fans (Lil Pump's 'Gucci Gang' repeats the titular catchphrase a hypnotizing 53 times) but when it comes to the sonics, the production has to slap, bottom line.The role of the producer is as crucial as ever. Sure, Playboi Carti's ' has replay value for days, but it was 's The Jamie Foxx Show-inspired beat tag and production that served as the foundation for one of the year's biggest bangers. Then of course there are the behind-the-board vets whose tracks paved the way to Billboard and Grammy honors. Kendrick Lamar's 'HUMBLE.'
1 on the Hot 100 with an assist from, who also worked with the Compton lyricist on two other tracks from the soon-to-be classic. Young Metro is one of hip-hop’s most sought-after producers, and this year, his status in the game was literally cemented when RapCaviar created a life-size statue in his honor. By Music Business Worldwide, Metro Boomin manipulated the undeniable flutes on Future's 'Mask Off' and laced Kodak Black ('Tunnel Vision') and Drake ('No Complaints') with some bangers as well. His collaborative efforts with Nav and Big Sean— Perfect Timing and Double or Nothing, respectively—were generally well-received, but it was his surprise Halloween project with Offset and 21 Savage that sent the internet into a frenzy.
Without Warning was the biggest surprise album of 2017, with “Ric Flair Drip” remaining a mainstay on the Billboard charts to this day. Tay Keith’s production is prototypical trap music, and Southern rap artists have taken notice.
When the young Memphis native isn’t studying for his degree at Middle Tennessee State University, Tay is behind the boards creating head-knocking beats for artists like Moneybagg Yo, BlocBoy JB,Yo Gotti and Blac Youngsta. He produced his standout cut “Lil Bitch” for the latter, and luckily for us his hi-hat and snare selections are just beginning to spread around the industry. He's recently been spotted in the studio with hometown heavyweight Juicy J, so one can only imagine what he’ll bang out next. There's no question that Pi'erre Bourne is one of 2017's breakout producers. Hip-hop was first introduced to the South Carolina native's video game-inspired sounds on Young Nudy's 2016 mixtape Slimeball, on which he produced tracks like 'Butt Naked Bitches' and 'Nun Like This.' This year, however, Pi'erre debuted on the Billboard charts for the first time ever due to Playboi Carti's 'wokeupliikethis.' with Lil Uzi Vert, and Carti's now-platinum 2017 summer anthem 'Magnolia.' His tagline, 'Yo Pi'erre, you wanna come out here?'
—taken from a scene on The Jamie Foxx Show—is now recognized nationwide, becoming just as popular as the songs he produces. Pi'erre is working with 21 Savage and Drake on upcoming music. You can't listen to this year's rising rap stars without hearing music from Bighead, also known as Bighead on the Beat, or @killbighead on social media. His productions run the gamut of rap's rookie class, blessing songs by the likes of Uno The Activist, Yung Gleesh, Lil Tracy and the late Lil Peep. Bighead is most known, however, for his co-production work on Lil Pump's self-titled debut album, songs like 'Molly' (with Ronny J), 'Flex Like Ouu' and of course the Gnealz-assisted 'Gucci Gang,' which sits at No. 4 on the Billboard Hot 100, only down one spot from its peak. Ness HBTL is having just as good a year as his labelmates, A Boogie Wit Da Hoodie and Don Q. During the first quarter, Ness and Cameron Pasquale’s joint beat graced Drake and Giggs “KMT,” which had caused some controversy between the 6 God and XXXTentacion.
Nevertheless, Kodak Black dropped his debut studio album Painting Pictures, a couple of weeks later, which spawned the piano ballad “Patty Cake,” co-produced by Ness, Nick Seely and Ben Billions. He later linked up with Nick Seely again to co-produce Boogie’s “Say A” off his debut album, The Bigger Artist.“Issues” by PnB Rock—co-produced by Pasquale—is another notable cut from this year, as well as his solo tracks and projects. Will Ness be one of the next artists to blow up off of High Bridge the Label? Only time will tell.
Much was said of JAY-Z's extreme candor on his late-career classic 4:44. But aside from the lyricism, the production—handled exclusively by No I.D.—made the album one of the year's strongest releases. The legendary producer took R&B, gospel and reggae samples to a new level on soulful cuts like '4:44,' 'Family Feud' and 'Bam.' His role went beyond just moving switches, turning dials and chopping samples, though.
Served as a producer in the most literal sense, helping Hov open up and let loose some of the most raw emotions you'll find in all of his catalog. Dion's stellar work on 4:44 has earned him a nomination for Producer of the Year at the 2018 Grammy Awards. CashmoneyAP is responsible for several of this summer's rap-a-longs.
His hi-hat techniques make for great production, specifically on tracks like NexXthursday’s “Sway” with Quavo and Lil Yachty, Honcho Da Savage and Smooky MarGielaa’s “Misfit” and Ski Mask The Slump God’s “BabyWipe,” which has been streamed more than 17 million times on SoundCloud since dropping seven months ago. Other highlights of this year for AP include Desiigner’s “Holy Ghost” and “Malibu” tracks, as well the viral “Nowadays” cut by Lil Skies. There aren’t too many hip-hop projects producer Southside hasn’t touched this year. Other than “Mask Off,” the beatsmith helmed the music to Migos’ “Too Hotty,” Lil Durk’s “Goofy” with Jeezy and Future, “Everything” by G Herbo, and Gucci Mane and Migos’ now-platinum “I Get the Bag.” Then there’s his credits on Nav and Metro’s Perfect Timing, 21 Savage’s Issa Album, and Gucci’s latest, El Gato the Human Glacier, which he produced entirely. The list goes on and on—his latest work graces Quavo and Travis Scott's new album, Huncho Jack, Jack Huncho—and will likely only extend into 2018. Boi-1da's notable credits this year include “Free Smoke” and “Do Not Disturb” off Drake’s More Life, Lana Del Rey’s “Summer Bummer” with A$AP Rocky and Playboi Carti, and over a dozen tracks on Joyner Lucas’ latest project, 508-507-2209.
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Later in the year, Boi-1da produced G-Eazy's newest single “No Limit” with Allen Ritter, featuring Rocky and Cardi B; the track currently sits at No. 3 on Billboard’s Hot R&B/Hip-Hop Songs chart and No. 10 on the Hot 100. He also executive-produced Belly’s entire Mumble Rap LP in the year’s last quarter, which features more than 11 bangers. Though 16yrold was rumored to have joined 808 Mafia in early 2016, it wasn't until he teamed up with artists like Famous Dex and Thouxanbanfauni that he became the go-to producer for rap newcomers in 2017.
Musically he identifies with an alternative rock aesthetic, so the young hitmaker has created hard-hitting, lo-fi cuts for everyone from Smokepurpp and Ski Mask The Slump God. Ski and Desiigner's 'Up Next' and Killy's 'No Romance' are his standout's from this year, combining for more than two million listens on his SoundCloud over the past five months.
Look out for his new tape, which he recently announced is on its way. Griselda Records’ in-house producer Daringer has continued to bang out tracks for Conway and Westside Gunn this year, but others have gotten into his timeless production as of late.
Action Bronson hit up the New York native to lend his talents on Blue Chips 7000’s 'Chop Chop Chop' and soulful cut “The Choreographer,” which sees Daringer mix samples of Dru Hill’s “In My Bed” and “I’m Back for More” by Leo’s Sunshipp. Most recently, Conway dropped his latest project G.O.A.T, with nine of the 10 cuts being handled by D.
Veteran hip-hop producer 9th Wonder has had a big year with collaborators Rapsody and Kendrick Lamar. While the old school samples and (three!) switch-ups on K. Dot’s “Duckworth” are still amazing, it was his work on Rapsody’s second studio album, Laila’s Wisdom, that reminded hip-hop heads why 9th Wonder is a star in his own right. The esteemed musician has more than a dozen production credits on the critically-acclaimed LP, and is a big part of the reason why the project is nominated for Best Rap Album alongside Kendrick’s DAMN. A few months ago, London on Da Track told XXL he wants to keep busy and be productive.
Judging by the number of hits he's worked on this year, it seems like he's done just that. In 2017, London has hit the studio with Young Thug, Gucci Mane, Yo Gotti, French Montana and PnB Rock to assist with tracks on their solo projects, and even came out with a track of his own. “No Flag” with Nicki Minaj, Offset and 21 Savage is off his upcoming project Who Would’ve Known, is scheduled to drop before the year’s end. Another highlight from the Atlanta native this year is Kodak Black’s single “Roll in Peace” with XXXTentacion, co-produced by CuBeatz. Year in and year out, Cardo crafts at least a few amazing tracks.
Don Q’s “Protect Ur Patek” with A Boogie—co-produced by Johnny Juliano—became a hood banger in New York, while his work on Kendrick Lamar’s “God” aided in making the track a standout on DAMN. This year Cardo has also teamed up with OMB Peezy to produce all of the records on his Humble Beginnings EP. To top it all off, he finally dropped G-Worthy, the project he created in L.A. With Jay Worth and G Perico over the span of two days. Catch his latest work on “Where U From” off Travis Scott and Quavo’s brand new album, Huncho Jack, Jack Huncho.
In this guide we’ll take a look at some of the best music production courses and schools to choose from.Music Production Nerds is reader-supported (we do not rely on sponsorships). If you buy through links on our site, we may earn a commission.
Hi there,I remember when the audio engineer I worked with on an album would tell me stories of “back in the day” when they used to do tape cutting. And it wasn’t even so long ago! Now every studio is using Pro Tools, even to control and automate the mixing board (which the engineer endearingly referred to as “studio furniture”.
Ha).Thanks for reading my post! You’re definitely no beginner. From what you said, I think taking the (if you’re on a Mac), or would be the best option.Hope that helps. If you need help finding the best course don’t hesitate to respond.Cheers!. Hi,Wow thanks for the extremely comprehensive post on online music production schools. You obviously really know your stuff! As a fellow musician I have been looking to improve my music production skills, I’m not quite in the position to enrol on a course right now but would like to in the future.
In the meantime I would like to continue learning by myself, I’m basically really good on garage band and I’m now looking to step up to a more advanced music program. What program would you recommend as a good transition up from garage band?Thanks and all the best to you,Nathan. Hi there, thanks for stopping by ?Here are a few options for you to consider.Logic Pro is like the next step above Garage Band.
You’ll find that they both have the same interface, but Logic is a lot more advanced a digital audio workstation than Garage Band. You might find yourself watching a few tutorials about it, but the transition should be very easy.Studio One is another DAW that I consider a very good transition, especially for people just getting into using DAWs. Plus many pros use this DAW as well because it offers advanced features within an interface that is easy to use.You can read my review on Studio One.You can also read my review on 10 different DAWs, including Logic, and chose which of them you’d like from my.There are a couple more options, Ableton and Bitwig.
You said that you’re a musician, and these DAWs are primarily good for musician-based producers over arranger-composer, or engineering producers. You can set these DAWs up for live performance with your instruments and loops. Read my review on them in the link on the 10 best DAWs I provided.I hope that helped. I know I provided a lot of options, but let me see if I can simplify it.If you want a program that you can do live performances with, Ableton or Bitwig are for you.If you want to a DAW that is easy to use generally but still advanced, Studio OneIf you want the familiarity of Garage Band, but with more advanced and powerful features, Logic Pro X.And if you need to learn how to use them (at some point you’ll probably want to get a couple tutorials), you can always bookmark this post for later.All the best Nathan!
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